William Mundy's ‘Vox Patris Caelestis’ and the Assumption of the Virgin Mary

William Mundy's ‘Vox Patris Caelestis’ and the Assumption of the Virgin Mary

Source :

• Music and Letters [ 0027-4224 ] ; 2004.

English descriptors

• Entity :
  • org : Bell Ltd, London, Bell Ltd, London, England.
  • pers : Alan Brown, Ambrose Autpertus, An Index, Ann Matter, Ave Dei, Ave Maria, Barbara Haggh, Benham, Christ Church, Christopher Wordsworth, Christopher Wren, Commentary, Daniel Page, David Humphreys, David J. Allinson, David Mateer, David Wulstan, Edward F. Houghton, Esther, Eton Choirbook, Francis Procter, Frank Ll, Giovanni Paolo, Herbert Kellman, Houghton, Hugh Benham, Jacobus de Voragine, Jeffrey Dean, John Harley, John Harpsfield, John Morehen, John Sheppard, John Taverner, London Church, Magnus Williamson, Maria Virgo, Mary Tudor, My Beloved, Noel Bisson, Paul Doe, Peter M. Lefferts, Peter Phillips, Petrus de Alcantara, Queen Elizabeth, Queen Esther, Queen Mary, Richard Davy, Richard Lloyd, Richard Rastall, Richard Turbet, Robert Reeve, Robert White, Robert Wylkynson, Roger Bowers, Roger Bray, Sheppard, Stephen Spector, Tallis Scholars, Thomas Byrd, Tudor England, Tudor Motet, Tudor Music, Vespasian, William Byrd, William Flynn, William Mundy, William T. Flynn.
  • place : Blackburn, England, Israel, Lebanon, London City, Prague, Saint Magnus, St Magnus, York.
• Teeft :
  • Antiphon, Antiphon tota pulchra, Baldwin partbooks, Benham, Bridal chamber, British academy, Caelestis, Cantus firmus, Capite eius, Choir school, Christ church, Corpore mortali, Corpus christi, Cubiculum regis assueri, Daniel page, David wulstan, Daye, Dearest lover, Early english church music, Early music, Eius, English festal polyphony, English mystery, Esther interpretatur elevata, Eternal king, Eton, Eton choirbook, Favus distillans labia, Flowering vines, Gaude, Gaude gloriosa, Golden legend, Guildhall, Heavenly father, Heavenly glory, Hiis verbis prorumpens, Hugh benham, Item payed, John morehen, John taverner, King ahasuerus, Ladis daye viii, Ladys daye, Latin antiphons, Latin church music, Liturgical, London church, Magnus, Magnus williamson, Manuscript sources, Maria virgo sanctissima, Marian, Mary tudor, Misericordiam coram, Mortal body, Motet sile fragor, Mundy, Music letters, Musica disciplina, Musical establishment, Omnes, Omnes mulieres, Other saints, Parish church, Patris, Patris caelestis, Patronal feast, Polyphony, Posuit diadema regni, Pulchra, Queen esther, Queen mary tudor, Quia concupivi speciem tuam, Richard lloyd, Roger bowers, Royal holloway college, Sarum rite, Saynte magnus, Second part, Sermones mariani, Similes illis fiant, Sixteenth century, Solium excelsum, Speculum, Speculum beatae mariae virginis, Stainer bell, Stanza, Subject matter, Super omnes mulieres, Sweet songs, Syngyng children, Syngynge children, Tallis, Thronum meum, Tota, Tota pulchra, Tudor, Tudor music, Tudor polyphony, Veni, Viii, Virgin mary, Virgo, Votive, Votive antiphon, Votive antiphons, William byrd, William mundy.

Abstract

• https://api.istex.fr/ark:/67375/HXZ-BQGQR4PH-L/fulltext.pdf

Affiliations:

Links toward previous steps (curation, corpus...)

• to stream Main, to step Corpus: 000580
• to stream Main, to step Curation: 000575

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